The Lake Como Design Festival reaches its sixth edition, expanding the program and the locations involved, while remaining faithful to the objective with which it was conceived by the Associazione Wonderlake Como: to propose the city and its surroundings as a cultural destination rich in density and contamination.
The route
Seven (plus two) exhibition venues of the festival distributed along a route that from the central Palazzo del Broletto spreads out into the streets of the historic center, involving the deconsecrated church of San Pietro in Atrio, the Spazio Natta and Borgovico 33, until it overlooks the lake and opens the gates of Villa del Grumello and Villa Anna.
Lightness, the leitmotif of this new event, accompanies the visitor to discover exhibitions and site-specific installations to explore the theme from different points of view.
Never before have we needed lightness like in this moment, the same lightness described by Italo Calvino in his American Lessons that “is associated with precision and determination, not with vagueness and abandonment to chance”.
The form of lightness at Palazzo del Broletto
Original seat, in medieval times, of the Municipality of the City of Como, today the Broletto is used as a conference hall and for art exhibitions. On the occasion of the Lake Como Design Festival it hosts the collective “The form of lightness”, curated by Lorenzo Butti.
An exhibition that offers a look at the passing of time through a selection of light seats, for different reasons, from formal research to the choice of materials, to the construction method. Visitors will find on stage, all together, 28 seats made between 1924 and 2024, including projects that were never commercialized, such as Verner Panton's prototype for Ikea.