In the light of your experience, what advice would you give to young designers?
“The most important is: believe it and insist. Possibly also reviewing the path taken. I did it when, after a year in the Fashion Design course, I realized that fashion wasn't for me and I turned to Industrial Design.
For years I worked on my self-productions, putting together all the knowledge I had: I knew how to sew and I made hand-sewn puppets with felt scraps. And I developed techniques that interested me: I enrolled in a ceramics course and I learned how to build the plaster molds by myself to produce my works.
At the beginning it was difficult, especially from an economic point of view: I graduated in 2008, in 2010 I was chosen by Giulio Cappellini, but the first earnings only arrived in 2017.
Today I lead a study of six people. You need to have patience, perseverance, the world of design is a small world where everyone knows each other, you must always work with quality, persevere and, sooner or later, if you have talent, results are coming”.
Why should someone study design at Istituto Marangoni?
Elena Salmistraro: “First of all because it always has an eye towards the future: when we started talking about the metaverse, Artificial Intelligence, robotics, Istituto Marangoni didn't wait until these issues became mainstream and he immediately tackled them with dedicated workshops, seminars and courses.
The second reason to study at Istituto Marangoni Milano is that it teaches students to interface with companies, putting them in contact with the most important brands, involving professional designers as mentors in often visionary and futuristic projects.
The possibility of showing one's work, then, in events such as the Fuorisalone, is a further advantage that Istituto Marangoni students have access to.
In general, I would say the exploratory, curious and industry-focused orientation of the school is a huge advantage for students who will then find themselves working in a constantly evolving sector".