gallery gallery
gallery gallery
[gallery ids="7420,7421"]For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s.
gallery gallery
[gallery ids="7420,7421"]For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s.
For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s.
gallery gallery
gallery gallery
[gallery ids="7420,7421"]For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s.
gallery gallery
[gallery ids="7420,7421"]For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s.
For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s.
For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s. "},{"caption":"
gallery gallery
[gallery ids="7420,7421"]For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s.
For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s. "}];
For the 300th anniversary of the birth of Francesco Guardi (1712 – 2012), Fondazione Musei Civici of Venice is holding a major retrospective that bears witness – with a wealth of loaned pieces never shown before, and works that in any case have never been seen all in the same place – to the long, complex artistic career of one of the greatest masters of Venetian painting. Curated by Alberto Craievich and Filippo Pedrocco, with the expert consulting of Gabriella Belli, the exhibition – under the aegis of the Presidency of the Italian Republic – takes place in the galleries of Museo Correr (piazza San Marco) and is subdivided into five sections to retrace the artistic evolution of Guardi while documenting the various genres he approached in his work. The exhibit design is by Caruso Torricella  Architetti, based on an “archaeological operation” of “rediscovery” of the essence of Museo Correr, revealing original Venetian flooring that had been concealed for decades under carpeting, re-opening windows with views of the city to allow light to enter, and identifying acid colors that represent the Venetian epoch par excellence: the 1700s.