“At the moment, I'm particularly interested in the anatomy of the canvas itself - the construction of the substrate on which the image is painted. I use the word anatomy in relation to the surface, constructed through layers of canvas with curved shapes, sewn together, which mimic the profile of organs and limbs. The anatomy itself changes, the body of the canvas changes. It has its own pseudo-symmetry, ”explains Jeanne Gaigher. "The colors chosen, with a strong evocative power, do not have a decorative function, but tell the exchange between figure and environment: they are Veronese green, red iron oxide, black, up to the color of the smoke of a fire that covers the Sun. These settle on the materials, accumulate as residues on the figures and the place they live in. The temporal dimension is faced as a sedimentation of emotional experiences. "