Nightclubs and discos are the centers of pop culture. Places where the avant-garde gathered in the Sixties to challenge social norms and to explore new levels of reality.

Night Fever. Designing Club Culture 1960 – Today

Vitra Design Museum

17 March – 9 September 2018

 

Nightclubs and discos are the centers of pop culture. Places where the avant-garde gathered in the Sixties to challenge social norms and to explore new levels of reality.

Many clubs were global artworks that combined interior architecture with furniture design, graphics and art, lights and music, fashion and performance.

Night Fever. Designing Club Culture 1960 – Today is the first complete exhibition on the history of design in this area.

 

 

Examples range from the Italian discotheques of the 1960s, created by exponents of the Radical Design movement, to the legendary Studio 54, the Palladium in New York, designed by Arata Isozaki, and the concept by OMA for a new Ministry of Sound in London.

Furniture, models and fashion, but also rare films, music, graphic design and contemporary interpretations by artists and photographers like Mark Leckey, Chen Wei and Musa N. Nxumalo.

 

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Despacio Sound System, New Century Hall, Manchester International Festival, July 2013 © Rod Lewis
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Vincent Rosenblatt, Tecnobrega #093 Tupinambá, 2016. From the series Tecnobrega – The Religion of Soundmachines. Metropoles Club, Belém do Pará, Brazil. Inkjet print on Baryta paper (2018), 100x66 cm © Vincent Rosenblatt
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Bill Bernstein, dance floor at Xenon, New York, 1979 © Bill Bernstein / David Hill Gallery, London
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Palladium, New York, 1985. Architect: Arata Isozaki, mural by Keith Haring © Timothy Hursley, Garvey|Simon, Gallery New York
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Discotheque Flash Back, Borgo San Dalmazzo, ca. 1972. Interior Design: Studio65. © Paolo Mussat Sartor
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Hasse Persson, Calvin Klein Party, 1978 © Hasse Persson
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Akoaki, Mobile DJ Booth, The Mothership, Detroit, 2014 © Anya Sirota and Jean Louis Farges, in collaboration with Bryce Detroit
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Poster for the Discotheque Flash Back, Borgo San Dalmazzo, 1972. Design: Gianni Arnaudo / Studio65