On the opening night, you stressed that you chose artists you liked…
Nicola Falappi: “I would have liked more, time has prevented us also because the idea of stratification of the house, of the space it has to host, is very much connected to the collector's house.
Not tidy, but in which magazines, objects and works of art accumulate.
We are still in the embryonic stage, some artists have not been able to supply all the works and in the end I have given space to the most interesting ones to be exhibited in this container.
Giuseppe La Spada paradoxically speaks of the concept of the power of communication and of what will remain of this continuous stimulus created by images. I find it curious that he dialogued with Gabriele Picco, who dusts off a type of painting in the old fashioned way (still life). Cris Devil makes his art something related to the visual digital image.
A more contemporary art, which has surpassed photography, painting, a 'non-real' created with the computer. The artists are connected to each other by a strong cultural value.
They present, propose and explain the house in a different way. No longer a room, but a concept, a vision… from the metaphysical to the surrealist.
Barbara Crimella creates monumental works that are installed in squares, roundabouts, streets, all with a crazy cultural guise. Now, exposed in Filter with small crosses, it is located between Berzo Inferiore and Bienno.
Pinky's project with bicycles is an object to be thrown away, albeit a historical one, reinterpreted by characters such as Antonio Marras.”