The four sections of the exhibition
To be clear, the path is divided into four rooms, three of which naturally use the digital tool (Reisinger's favorite, so far) to guide the experience.
The first room, located on the ground floor of the Moco in Amsterdam, is the scenographic and surrealist set of 'A dream' with which Reisinger invites the visitor to re-imagine reality through the dreams most intrinsic to the psyche of the viewer, and without filters.
Continuing, with a leap of perspective, we move to the creative side: in the second room with 'How I write my stories' a passage opens onto the digital narration of Andrés Reisinger's own creative process. A sort of 'behind the scenes' that tells how the creative's ideas are born, how they take shape and how the path to achieving the realization of each one is complex and layered.
Another leap forward, or back (because the perspective changes again, returning to the external gaze), for room number three: here, with 'Take Over Elastic' you enter a dimension familiar to those who have known the artist for a long time. Exceptionally not digital but physical, a path of installations - obviously - total pink and with biomorphic architecture invites the interaction between human touch and setting. The typical pink fluffy structure, here, varies according to the will of the person who touches it, of the person who leans on it or of the person who passes by. Flexibility and plasticity, in an optical illusion that makes you think you are inside one of his digital works.
The last room on the itinerary is the 'Fly' room, which tells, this time again by passing from the artist's point of view, the symbolism of some of Reisinger's most recurring signs and objects: the apple, the clock, the books and the iconic Hortensia armchair (we talked about it here) which introduced the artist to the real world thanks to a far-sighted collaboration with Moooi, in 2021, on the occasion of Milan Design Week.
Read also: The enveloping embrace of Horensia armchair and its petals in bloom