Riley was admittedly inspired by an old party game invented by the surrealists called Cadavre Exquis, or Exquisite Corpse, in which an artist draws on a piece of paper, folds it and then passes it on to the next. None of the artists know what the previous one did, nor do they know what the next of the circle will do.

There is not so uniformity but continuity between the five facades of the Garage-Museum. They are conceived as three-dimensional canvases that play on the preciousness of the combinations of shapes, materials, and colors, each time producing a different poetry, hybrid and harmonious at the same time.

Considering that among the numerous public works of art in the neighborhood there is also the Fly's Eye Dome, a prototype of the geodesic dome designed by Buckminster Fuller, even parking the car becomes a serious matter. Serious Play reminds us of it, the parking front interpreted, with black and white cartoon, elephants, gargoyles and four gigantic caryatids in metal and resin fiber, by Nicolas Buffe, French artist-designer based in Tokyo and Paris. His creative universe is nourished by the culture of manga, video games and references to Baroque architecture.

It is an imaginary rather distant from that expressed by the American studio K/R Keenen/Riley Architects with Barricades, in the facade conceived as a vertical landscape composed of mirrored stainless steel surfaces and concrete planters, alternating with figurative motifs inspired by orange and white ribbons of the barriers for road construction sites. Amazing for special effects, almost as is Urban Jam, the playful facade imagined by the Clavel Arquitectos studio, with offices in Spain, Miami and Dubai: inspired by Christopher Nolan's film Inception, it stages the science fiction traffic jam (vertically) of 45 silver and gilded cars, made also thanks to the support of the LVMH group.