After the hangover of the Salone del Mobile and the Milanese Design Week, this year with dizzying numbers regarding the influx of visitors, it's nice to go back to the bookshop (and to the cinema too) with a volume that - through the sets and sketches of the brutalist designer Ken Adam - takes us straight to the unique atmosphere of the spy films of the Sixties.
Also not to be missed is the essay just published on that great communications genius who was Armando Testa and which, together with the books dedicated to Alvar Aalto and Isamu Noguchi, takes us to the heart of the twentieth century.
To finally arrive at the imperfections of Inga Sampé and the reflections of the great Italo Rota.
1. The imperfect house of Inga Sampé, edited by Massimo Sammicheli (Electa, 35 euros)
For Inga Sempé, industrial designer born in Paris and creator of serial collections for companies such as Luceplan, Cappellini, Edra, Baccarat or Ligne Roset, the first duty of a designer is above all to "contribute to the evolution of society with conscious attitudes that respect man and the environment through durable objects".
This is why Inga Sampé does not design display pieces but products for mass production, armchairs, lamps or towel rails, conceived to last over time, also thanks to a contemporary and universal language.
The opportunity to better understand his particular design poetics comes today from an exhibition and from the freshly printed book The imperfect house, a little wise and a bit of catalogue of the exhibition just inaugurated at the Triennale di Milano (open to the public until 15 September 2024). Enriched with drawings, photographs and interviews, a volume that very well describes Inga Sempé's philosophy and her desire to develop new forms and functions against all sorts of laziness.
Who will like it Who is interested in exploring the super current theme of taking inspiration from the small gestures of "everyday life". Perhaps accompanied by critical texts by Giampiero Bosoni, Megan Dinius de Kalbermatten, Laura Maggi, Massimo Orsini, Eugenio Perazza, Marco Sammicheli, Inga Sempé, Patrizia Vicenzi and Pilar Viladas.