The Ceppo di Gré chosen for Anima Liquida is a very distinctive stone, with a strong architectural use: was this also a precise choice?
“As in all my projects, material and work are linked in an almost visceral way, so much so that it becomes impossible to establish a true hierarchy. Also in this case, the use of Ceppo di Gré, rather than another stone, was an instinctive choice intimately connected to the creative act of the project itself. Far from the contemporary practice through which the Ceppo di Gré, and more generally the natural stone, is used as a surface covering skin, Anima Liquida rediscovers the energy and archaic strength of the mineral element that resides in its totality, in its mass, in the depth of his soul. The charm of Ceppo di Gré, used in massello, lies in its being a heavy, primordial material, in which the echo of the mountains from which it is extracted and the waters of Lake Iseo in which it sinks reverberate. The stone material, even without the intervention of man, expresses an unequivocal thought and in this stone so harsh and changeable, but at the same time elegant and sophisticated, we rediscover the strength of the living rock, the silent mountain and its' liquid soul ' ".