One of the most incredible books on design was written by Giampiero Bosoni and Francesca Picchi in 2000: Brevetti di design in Italia dal 1945. A journey into an incredible world told through technical drawings, obsessive and detailed captions, nomenclatures.
The project, in a legal dimension, acquires a completely different meaning. And above all it changes its meaning: from creative work to intellectual and industrial property. In short: the registration of the design or patent is the license that certifies the real, pragmatic, economic value of the designer's work. And it protects its formal uniqueness, invention, ingenious idea or intuition. But does it still really work like that?
A 2019 EUIPO and OECD study argues that industrial property rights violations in international trade in 2016 may have reached 3.3% of world trade. Up to 6.8% of EU imports, or € 121 billion per year, are counterfeit products.
Protecting the designer's work is easier thanks to technology
Protecting the work and investments of designers is a little easier today. There are digital tools and new professionals capable of extricating more easily between international standards and global markets. And copying, especially when it is online, is a solvable problem today.
“Ours is a consultancy work that supports all actions useful for the protection of intellectual property”, explains Edoardo Mola, CEO of Praxi IP. "We take care of facilitating the process of identifying, that is, what is worth protecting, and of filing applications for registration, all over the world".
The legal protection of designs and models still passes through registration. The novelty, however, is that it is no longer imperative to take legal action to block the circulation and marketing of copies.