There are his blue paintings, that intense blue that Fernanda Pivano urged him never to abandon, 30 years ago. There are his doors in gold leaf, illustrated with hieroglyphs, which represent junction points in a symbolic way; the large or small sculptures, leaning on the walls or standing on the floor; the prototypes of installation on which he has worked, with words etched in marble or painted on glass mosaics. Layered moments in time. Vintage furnishings also take part in this set-piece of forms, colors, materials, in a central island with mismatched armchairs, tables and lamps. Every item, in its own way, like the natural pigments and resins used in the works, conveys a perception of a deconstructed/reconstructed landscape that is highly introspective and ready to change its image and concatenations, day after day.