Open source
In April 2019, teenagers and educators emptied the house and started building the furnishings, after getting to know the figure of Mari through the books and stories of Lisa Ceravolo. “It wasn't just a matter of putting nails and planks together, it was important to make him discover him as a revolutionary figure”, says Ceravolo.
It was Mari who had published the drawings in 1972 and, in protest, had made them available to everyone to be personalized. He had even asked to send the refurbished projects to his studio and, needless to say, thousands had arrived. “We are very concerned with the open source process that was the basis of his work, which is Hermete's idea, to have a project that works and make it available to others”, Perina says, “we will do it with the bunk bed that we invented, which was not foreseen in his drawings”. The Mari series, in the beginning, was born out of a failure. De Padova had asked him to design a sofa bed, which although he liked it, had not been put into production. It was called Day Night and it was very simple and efficient, at a time when furniture had rich and redundant elements. Driade produced it, but with little success. For this Mari was indignant, explaining that the sofa was not expensive enough to be flaunted in the homes of the bourgeoisie and was not understood even by his friends. “People understand ham and wine, but not the shape”, he said. And in the volume Autoprogettazione (Self-planning), reprinted by Corraini in 2002, he asked himself, in a provocative tone: “If people made things with their hands, an object, a flower pot, a chair, a shoe, maybe they would be more careful and improve their taste?”.