In 1972 the exhibition that would bring Italian design to the fore in the world was inaugurated at the MoMA in New York: Italy, The New Domestic Landscape. But looking at what remains of that fire today, are you still arsonists or would it be more correct to consider yourself firemen?
Today’s radical thinking finds emblematic expression in the work of Formafantasma. Not just in terms of vision but also of method. With stated inconsistencies that allow the two designers to shift from critical research to industrial projects