The scent of flowers spreads between descents and ascents where, between the contour lines of volcanic stones raised by arms, between a palm tree and an avocado tree, the white rooms and villas with lime skin appear to rest. Moreno and Eloisa have challenged the concept of a total work of art, in which the creative ideal, the constructive path, the aesthetic landing, the functional agility and the social reference all coexist within a simple sustainable harmonic scale.
“We studied the composition of the volumes after having identified the points protected from the strong prevailing winds, sheltered from falling rocks and with a view of the valley and the ocean.
Camping here during many periods of the year has helped us to predict the possible climatic variables during the twelve months and to integrate the project with the mountain, as if it were a great work of land art”.
The walls of the villas were built with basalt stone, gravel and sand recovered from the riverbed below and renewed every rainy season. The thermal inertia of the basalt and the cross ventilation guarantee climate comfort, avoiding the use of air conditioning.
The roots of the vegetation planted on the roofs become the perfect insulator against overheating and humidity.
The semi-elliptical multifunctional room is anchored on the most daring slope and absorbs the westerly gusts like an ocean weed, while the curved perforated back of the restaurant bends the gusts of wind that rage from the valley.
In the interiors and furnishings, designed by the architects themselves and made by local artisans, the imprints of that coming and going of men and women who did not make it but who nevertheless live on inexorably in our human capital resurface.
On the cover, Panoramic view from inside the Temple, a multifunctional space for meetings, yoga, meditation, towards the western side
of Santo Antão. From behind, architects Eloisa Ramos and Moreno Castellano listening to the sound of whales bouncing off the impressive volcanic coast.