From 21 to 24 October, the Milan Triennale welcomes (in attendance but also in streaming) the Milan Design Film Festival 2021. The ninth edition of the event that combines cinematography and design has as its main theme the 'Reset', understood as a restart, will and at the same time concrete and informative intent. Not by chance - as curators Silva Robertazzi and Porzia Bergamasco told us, see below - in the film productions linked to the theme of the project in the last two years the interest in biographies and historical architecture has decreased while attention to contemporaneity, living in cities and nature has intensified.
Milano Design Film Festival 2021: the program
The Milano Design Film Festival 2021 will therefore be the first phygital edition of the event (after the totally online one in 2020). The program includes in-depth talks and screenings (see the program below), for 4 days dedicated to the most relevant social issues of the historical period we are living, declined - also - in architecture and design.
Milano Design Film Festival 2021: the guest curators
The guest curators of the Milano Design Film Festival 2021 are Gianandrea Barreca and Giovanni La Varra , from the studio Barreca & amp; The Varra of Milan. Their selection of films focused on the use of the Italian landscape by foreign directors as a backdrop for telling stories (the section curated by the two architects is "CIAK IN ITALY. Foreign directors in the Italian landscape"). with a selection of films focused on the ways in which various foreign directors have looked to the Italian landscape as the ideal backdrop for creating stories.
Instead, Andrea Trimarchi and Simone Farresin , (studio Formafantasma) the curators of the section that investigates the relationship between man and nature, Bloom . Their review is titled “ I, You and It: Stories of entanglement between species ”. "The films we have chosen for the Milan Design Film Festival 2021 ", they say, "are all very different from each other, but we believe they can help us navigate the deep and unexplored waters of the time we live in" (for titles, see below).
The Milano Design Film Festival 2021 told by Silvia Robertazzi and Porzia Bergamasco
To tell us how and what has changed in nine years of appointments, are Silvia Robertazzi, curator and founder of MDFF and Porzia Bergamasco, co-curator .
'Reset' is this year's theme. What has changed in project films since the start of the pandemic?
We worked on the theme of restart understood as a rethinking of lifestyles, urban phenomena and consolidated design methods, adapting them to post-Covid-19 problems. And, observing the panorama of the directors' work and exploring the proposals, they noticed changes in focus. In fact, there are numerous issues related to urban planning, sustainability and the value of production processes. Interest in biographies and historical architecture is decreasing and is increasing for contemporaneity, living in cities. Nature is then increasingly present, to raise awareness of respect and dialogue. We talk about services, social housing experiments, shared creative activities, materials, circular economy. The debates are centered on the redevelopment of buildings or their impact in cities.
9 editions are much more than 9 simple years if you consider that in between there was the emergence of social media, streaming platforms and a pandemic. How has the industry changed since the first edition?
Home theater has also taken over due to lockdowns and restrictions on cinemas. And we too have had to adapt. Last year we had to imagine, in a very short time, a totally streaming festival. But, although it might seem like a limitation, it turned out to be an opportunity: the 8th edition of M DFF was followed by 12,000 unique users for 150,000 page views throughout Italy. This is why this year we decided to offer the same opportunity, integrating digital and physical, giving the opportunity to participate also to those who live outside Milan or to those who are now used to enjoying the cinema on their home screen. Surely all this in 2013 - when we started - we could not have foreseen it.
Between fiction and TV miniseries: how has the use of a film changed in 2021?
If before the use of a video content was linked to the cinema or a television event, today we can choose in time and space. Our preferences also interact with the productions themselves, especially for season series: it is the viewer's satisfaction that directs them. Streaming platforms also find it convenient to produce films that can also be transferred to theaters. An example is: 'It was the hand of God' by Paolo Sorrentino, in cinemas since November and on Netflix since December. The mini-series, on the other hand, can deepen content without arousing dependence on the story: in a few episodes they develop themes in a reasoned way. The 'Dinner Club' series, for example, uses the food-travelogue genre, linking it to the discovery of the territory, perhaps taking inspiration from the first wine-gastronomic reportage Rai of '57: 'Journey into the Po Valley', directed by Mario Soldati. Therefore, interest in the entertainment documentary genre seems to be growing, ranging from social to political issues. However, the vast offer also leads to disorientation: the Milan Design Film Festival has the function of organizing and guiding the viewer towards specific themes.
What are the current and collective needs that the MDFF cinema brings to the attention of the general public in 2021?
The documentaries show a common feeling towards political and social discontent, they satisfy a desire for analysis and understanding with respect to what happens around us and towards what we buy, be it an object or a house. They try to sensitize the community towards a beauty that is an ethical and planning synthesis linked to responsible and intelligent processes. In the past there were theories related to organic architecture, now, with the help of applied technologies, it is computational design that helps to achieve optimal harmony: thanks to the inclusion of the predictable variables of general impact on the territory to bioclimatic architecture.
In the last six months, our country has attracted international attention, including victories and podiums: what role does Italy play in the cinema sector today?
There is no doubt that a new Italian neorealism is emerging - Matteo Garrone (Dogman), Alice Rohrwacher (Lazzaro felice) the brothers Innocenzo (The land of enough and Favolacce), Yuri Ancarani (Atlantide) and many others - which tells the reality also employing non-professional actors. In the great tradition of Italian culture, cinema also manages to be contemporary, intelligently drawing inspiration from its past and defining a new, original and independent language. Perhaps this a new wave, with good reason, is attracting international interest and acclaim.
Milano Design Film Festival 2021: the movies and the program
- Monday 18 October (opening by invitation) world premiere of the film 'The importance of being an architect' (by Giorgio Ferrero and Federico Biasin, a MyBossWas production, 60', Italy, 2021) which focuses on the reflection on the role of architecture in contemporary society through the gaze of Antonio Citterio (read the explanation here) at the Teatro della Triennale di Milano + follows a talk moderated by Gianni Canova with the architects Citterio, Viel and the directors. Watch the movie trailer here.
- Thursday 21 October at 6.30 pm official start of the festival with welcome by Silvia Robertazzi (founder and co-curator of MDFF) | Ciak In Italy section. 'Foreign directors in the Italian landscape' curated by the guest curators Gianandrea Barreca and Giovanni La Varra and the second screening of: 'The importance of being an architect'. The films on the program cover a time span that goes from the 1950s to 2010: from In Venice… a shocking red December (Nicolas Roeg, United Kingdom / Italy, 1973, 110 ') to La barefoot countess (Joseph L. Mankiewicz, USA / Italy, 1954, 130 '), from Passione ( John Turturro, Italy, 2010, 90') to Tre passi nel delirio (Federico Fellini, Louis Malle, Roger Vadim, France / Italy, 121 ').
- Friday 22 October at 5.30 pm for the Bloom section (relationship between man and nature) the guest curators Formafantasma present the film review 'I, You and It: Stories of entanglement between species'. The titles: Story telling for Earthly Survival (Fabrizio Terranova, Belgium 2016, 81 '), Cambio (Studio Formafantasma, Netherlands 2020, 23'21 "), Quercus (Studio Formafantasma, Netherlands 2020, 13 '), Flores (Jorge Jacome, Portugal 2017, 26'40' '), Becoming Animal ( by Emma Davie and Peter Mettler, Switzerland / UK 2018, 78 '). Finally, you will see 5 videos that the students of Geo-Design - a master's degree course conducted by them at the Design Academy in Eindhoven - have developed with the Dutch Metahaven.
- Saturday 23 October from 10.00 to 17.30 a day dedicated to architects with projections and talks with the presentation of the Open Letter initiative, promoting public mobilization 'The city changes, let's change the cities' on development urban area and the prevention and care of the territory.
- Sunday 24 October at 6.30 pm Afa by Grand Seiko Award with award ceremony and screening of the winning films.
Article being updated
Cover photo: A frame taken from Battleship Berlin by Nathan Eddy addresses the theme of the restoration or demolition of the former brutalist research laboratory where the Charité hospital in Berlin conducted experiments about animals. What future does it deserve, according to politicians, conservationists, architects, gallery owners and architecture students? These are the themes of the 2021 film.