How does sustainability come into Moroso's design?
For example, with a recycled polyester fabric designed by Patricia Urquiola for Kvadrat and used for one of her chairs. And then, as I said before, with something that is not sustainable because it is made with ecological materials, but because it is the daughter of a new and sustainable approach in itself: two years ago, Ron Arad went to Dakar for the first time in his life and has put on a collection of four sessions with young Senegalese artisans. We presented the prototypes in 2019, they are now finally in production. It is a project that I care very much about because it comes from the idea of having Ron's creations that are not born from molds, or from machines that would never be able to reproduce the typical curves of his design. The Modou Collection, named after one of these Senegalese artisans, was born from the unique ability of these young people to fold iron and weave yarns. Sustainability must also be a human practice, an otherwise impossible meeting of worlds, the lever that gives life to something that was not there before. Ron fell in love with Senegal and decided to go there to sculpt his works of art. One thing that makes me happy.