The world is full of dystopias. But they are useless if not accompanied by parallel utopian thinking, i.e. thinking capable of inventing a different economic, political and cultural alternative to the status quo. What we can aim for are possitopias, possible (and preferable) scenarios and imaginaries, developed collectively, inside which to move with creative, economic, political and artistic autonomy, in order to go forward.
The photographs in the article are part of the anthological exhibition ‘Sandy Skoglund. Visioni Ibride’, curated by Germano Celant, in Turin at Camera - Centro Italiano per la Fotografia, from 24 January to 24 March 2019. On the top, ‘The Green House’, 1990. Cover photo: The Green House, 1990. Collection Cirillo, Brescia. Courtesy Paci contemporary gallery.