Communicating second hand design
Communication is therefore essential to create new connaisseurs , people who know how to recognize the reasons for the project. A work of education and dissemination that more or less specialized marketplaces do involuntarily thanks to massive investments on social networks. The image of a 1950s sideboard appears between one post and the next and the curious 30-year-old, "well traveled and well educated" (is the obvious description of the average second-hand customer for a DOXA of 2018) is hooked.
He discovers a world, gets information, learns, buys the books of Mari, Munari, Sottsass and finally wins a sofa Lido of Memphis, designed by Michele De Lucchi in 1975, and no longer in production, for 3 thousand euros. Or a Tube Chair by Joe Colombo for 2,700 euro. He has become an enthusiast, the potential customer of the big made in Italy brands.
The transition from second hand to the new is not obvious, but certainly more probable if the public can understand the word 'design'Â - intelligent, beautiful, functional, long-lasting and sustainable - and no longer confuses it with 'style' or with 'do it strange'.