An armchair in paper microfibers, a white cashmere felt with golden threads, a centerpiece in enameled copper sheet. Hermès returns to Pelota space in via Palermo, a postmodern space in the heart of Brera, to offer the public its new collections for the home which, after the months of lockdown, are a return to concreteness, to the physicality of matter. To do this, he chooses a refined multisensory installation, with ten (very elegant) stands decorated by hand by young scenographers of the La Scala Theater and a magical background sound created ad hoc by the Mexican composer and sound artist Manuel Roca Iturbide (together with Antonio Fernandez Ros and Rogelio Sosa).