In the Sawaya & Moroni showroom, the Act Sustainable Collection

Tecla is displayed at the entrance to the store, in a central position, in its variations with shell in recycled plastic and wood.

The shell shape is an architectural reference to an inverted dome into which the padded seat and backrest are inserted.

The 3D printer technology already tested for the living space is used on the furnishing scale for the recycled plastic version, while for the wooden model built by assembling solid wood portions, >stained ash wood from controlled cultivations.

On the right side of the showcase, the bridge seat in steel covered in recycled leather LouLou, by William Sawaya, is declined in an armchair and a small sofa two places (but capable of extending indefinitely) "that we could find in the rooms of 2001 A Space Odyssey, as furnishings of an unspecified future, but part of our present" .

An armchair that reinterprets the atmospheres and figures of the 70s. An 'open system, a sort of 'infinite furniture'.

Designed by Zaha Hadid 2007 and presented last year for Sawaya & Moroni, the Mini Plush - a project curated by ZHD - overlooks the side window on via Clerici.

An informal seat that takes up the original compositional characteristics on a smaller scale, redefining the idea of the seat and the relationship between the object and the environment that welcomes it.