On the one hand, the installation brings out forgotten stories and reveals the invisible, on the other hand it deconstructs that rhetoric which, starting from a from a particular point of view, it has determined a univocal narrative on Europe and the Mediterranean by creating hierarchies and subordinations immediately attributable to economic and power relations.

Informal Inclusion explores the marginal dynamics through which inclusion processes pass, supported by the unspeakability of our most hidden desires, it highlights the complex relationship between economy and contemporary culture and provides a lateral look at the topic of immigration.

In continuity with the research that distinguishes his artistic practice, Tibaldi starts from the concept of margin, from the stories not told or silenced because they are inextricably linked to the exploitation of the "other".

What emerges to the surface is the role of a submerged reality but, at the same time, increasingly indispensable for the economies and lives of the richest part of the world.

The installation refers to the contradictory relationship between good and evil: a series of unaware "activators" turn on a light
on the island's past and, at the same time, poetically reveal the violence of a world in which migratory processes redraw the maps of our territories and re-propose the trauma of the colonial repression.

If Informal Inclusion refers to the history and current affairs of the Mediterranean, it does so with the tragic awareness of those who know that the regeneration of the world passes through a marginality that resists narratives larger and which ends up contaminating and hybridizing the space it passes through.