A site-specific installation by Elisabetta Di Maggio at T Fondaco dei Tedeschi. The artist reinterprets Byzantine mosaics with ephemeral tiles: 100,000 used postage stamps from all over the world

Event Pavilion del T Fondaco dei Tedeschi, Venezia

Dal 6 aprile al 25 novembre 2018

 

An intriguing project that addresses the themes of passing times, bonds between places and people, and the value of memory.

In Greetings from Venice the artist Elisabetta Di Maggio rethinks the pattern of Byzantine mosaics of the floor of the Basilica of San Marco and other important Venetian buildings, whose elegant and sinuous shapes suggest the idea of a map that connects instants of life, steps, encounters, silences.

 

She dematerializes the solid presence of mosaic tiles by using ephemeral segments that convey the concept of time: 100,000 postage stamps, all used and hailing from all over the world, which the artist has subdivided by origin and color, all with the help of the students of the Liceo Marco Polo of Venice.

 

gallery gallery
A site-specific installation by Elisabetta Di Maggio at T Fondaco dei Tedeschi. The artist reinterprets Byzantine mosaics with ephemeral tiles: 100,000 used postage stamps from all over the world - Event Pavilion del T Fondaco dei Tedeschi, Venezia Dal 6 aprile al 25 novembre 2018   An intriguing project that addresses the themes of passing times, bonds between places and people, and the value of memory. In Greetings from Venice the artist Elisabetta Di Maggio rethinks the pattern of Byzantine mosaics of the floor of the Basilica of San Marco and other important Venetian buildings, whose elegant and sinuous shapes suggest the idea of a map that connects instants of life, steps, encounters, silences.   She dematerializes the solid presence of mosaic tiles by using ephemeral segments that convey the concept of time: 100,000 postage stamps, all used and hailing from all over the world, which the artist has subdivided by origin and color, all with the help of the students of the Liceo Marco Polo of Venice.  
gallery gallery
A site-specific installation by Elisabetta Di Maggio at T Fondaco dei Tedeschi. The artist reinterprets Byzantine mosaics with ephemeral tiles: 100,000 used postage stamps from all over the world - Event Pavilion del T Fondaco dei Tedeschi, Venezia Dal 6 aprile al 25 novembre 2018   An intriguing project that addresses the themes of passing times, bonds between places and people, and the value of memory. In Greetings from Venice the artist Elisabetta Di Maggio rethinks the pattern of Byzantine mosaics of the floor of the Basilica of San Marco and other important Venetian buildings, whose elegant and sinuous shapes suggest the idea of a map that connects instants of life, steps, encounters, silences.   She dematerializes the solid presence of mosaic tiles by using ephemeral segments that convey the concept of time: 100,000 postage stamps, all used and hailing from all over the world, which the artist has subdivided by origin and color, all with the help of the students of the Liceo Marco Polo of Venice.   [gallery ids="192296,192298,192300,192302,192308,192312,1923043,192306,192310,192314,192316,1923187,192320"]
gallery gallery
A site-specific installation by Elisabetta Di Maggio at T Fondaco dei Tedeschi. The artist reinterprets Byzantine mosaics with ephemeral tiles: 100,000 used postage stamps from all over the world - Event Pavilion del T Fondaco dei Tedeschi, Venezia Dal 6 aprile al 25 novembre 2018   An intriguing project that addresses the themes of passing times, bonds between places and people, and the value of memory. In Greetings from Venice the artist Elisabetta Di Maggio rethinks the pattern of Byzantine mosaics of the floor of the Basilica of San Marco and other important Venetian buildings, whose elegant and sinuous shapes suggest the idea of a map that connects instants of life, steps, encounters, silences.   She dematerializes the solid presence of mosaic tiles by using ephemeral segments that convey the concept of time: 100,000 postage stamps, all used and hailing from all over the world, which the artist has subdivided by origin and color, all with the help of the students of the Liceo Marco Polo of Venice.   [gallery ids="192296,192298,192300,192302,192308,192312,1923043,192306,192310,192314,192316,1923187,192320"]
gallery gallery
A site-specific installation by Elisabetta Di Maggio at T Fondaco dei Tedeschi. The artist reinterprets Byzantine mosaics with ephemeral tiles: 100,000 used postage stamps from all over the world - Event Pavilion del T Fondaco dei Tedeschi, Venezia Dal 6 aprile al 25 novembre 2018   An intriguing project that addresses the themes of passing times, bonds between places and people, and the value of memory. In Greetings from Venice the artist Elisabetta Di Maggio rethinks the pattern of Byzantine mosaics of the floor of the Basilica of San Marco and other important Venetian buildings, whose elegant and sinuous shapes suggest the idea of a map that connects instants of life, steps, encounters, silences.   She dematerializes the solid presence of mosaic tiles by using ephemeral segments that convey the concept of time: 100,000 postage stamps, all used and hailing from all over the world, which the artist has subdivided by origin and color, all with the help of the students of the Liceo Marco Polo of Venice.  
gallery gallery
A site-specific installation by Elisabetta Di Maggio at T Fondaco dei Tedeschi. The artist reinterprets Byzantine mosaics with ephemeral tiles: 100,000 used postage stamps from all over the world - Event Pavilion del T Fondaco dei Tedeschi, Venezia Dal 6 aprile al 25 novembre 2018   An intriguing project that addresses the themes of passing times, bonds between places and people, and the value of memory. In Greetings from Venice the artist Elisabetta Di Maggio rethinks the pattern of Byzantine mosaics of the floor of the Basilica of San Marco and other important Venetian buildings, whose elegant and sinuous shapes suggest the idea of a map that connects instants of life, steps, encounters, silences.   She dematerializes the solid presence of mosaic tiles by using ephemeral segments that convey the concept of time: 100,000 postage stamps, all used and hailing from all over the world, which the artist has subdivided by origin and color, all with the help of the students of the Liceo Marco Polo of Venice.   [gallery ids="192296,192298,192300,192302,192308,192312,1923043,192306,192310,192314,192316,1923187,192320"]
gallery gallery
A site-specific installation by Elisabetta Di Maggio at T Fondaco dei Tedeschi. The artist reinterprets Byzantine mosaics with ephemeral tiles: 100,000 used postage stamps from all over the world - Event Pavilion del T Fondaco dei Tedeschi, Venezia Dal 6 aprile al 25 novembre 2018   An intriguing project that addresses the themes of passing times, bonds between places and people, and the value of memory. In Greetings from Venice the artist Elisabetta Di Maggio rethinks the pattern of Byzantine mosaics of the floor of the Basilica of San Marco and other important Venetian buildings, whose elegant and sinuous shapes suggest the idea of a map that connects instants of life, steps, encounters, silences.   She dematerializes the solid presence of mosaic tiles by using ephemeral segments that convey the concept of time: 100,000 postage stamps, all used and hailing from all over the world, which the artist has subdivided by origin and color, all with the help of the students of the Liceo Marco Polo of Venice.   [gallery ids="192296,192298,192300,192302,192308,192312,1923043,192306,192310,192314,192316,1923187,192320"]
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site-specific installation by Elisabetta Di Maggio at T Fondaco dei Tedeschi. The artist reinterprets Byzantine mosaics with ephemeral tiles: 100,000 used postage stamps from all over the world\r\n - Event Pavilion del T Fondaco dei Tedeschi, Venezia\r\nDal 6 aprile al 25 novembre 2018\r\n\r\n \r\nAn intriguing project that addresses the themes of passing times, bonds between places and people, and the value of memory.\r\nIn Greetings from Venice the artist\u00a0Elisabetta Di Maggio rethinks the pattern of Byzantine mosaics of the floor of the Basilica of San Marco and other important Venetian buildings, whose elegant and sinuous shapes suggest the idea of a map that connects instants of life, steps, encounters, silences.\r\n \r\n\r\nShe dematerializes the solid presence of mosaic tiles by using ephemeral segments that convey the concept of time: 100,000 postage stamps, all used and hailing from all over the world, which the artist has subdivided by origin and color, all with the help of the students of the Liceo Marco Polo of Venice.\r\n \r\n\r\n
gallery gallery
A site-specific installation by Elisabetta Di Maggio at T Fondaco dei Tedeschi. The artist reinterprets Byzantine mosaics with ephemeral tiles: 100,000 used postage stamps from all over the world - Event Pavilion del T Fondaco dei Tedeschi, Venezia Dal 6 aprile al 25 novembre 2018   An intriguing project that addresses the themes of passing times, bonds between places and people, and the value of memory. In Greetings from Venice the artist Elisabetta Di Maggio rethinks the pattern of Byzantine mosaics of the floor of the Basilica of San Marco and other important Venetian buildings, whose elegant and sinuous shapes suggest the idea of a map that connects instants of life, steps, encounters, silences.   She dematerializes the solid presence of mosaic tiles by using ephemeral segments that convey the concept of time: 100,000 postage stamps, all used and hailing from all over the world, which the artist has subdivided by origin and color, all with the help of the students of the Liceo Marco Polo of Venice.   [gallery ids="192296,192298,192300,192302,192308,192312,1923043,192306,192310,192314,192316,1923187,192320"]
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