The Estonian pavilion comes to life in a durational performance, in which household chores and dialogues take place in front of the audience. The actress Paula Veidenbauma participates in the project, curious to explore the interaction between 'invisible' themes such as cure, aggressiveness and loneliness, and the wide visibility of the real estate sector which, especially in Venice, is driven by hyper-tourism and gentrification".
With its performers, the Estonian Pavilion focuses on almost grotesque domestic situations, where dreams collide with reality, landlords with tenants, sellers with buyers, intimacy with alienation.
Home Stage reflects on some dichotomies:
Houses - properties, dreams - reality, tenants - owners, residents - guests: given that investment and speculation have become the main objective of more and more properties, the house is no longer just a place to to live.
Urban centers are made up of houses in which living itself has become superfluous. Many homes have owners but no occupants, while elsewhere residents struggle to become owners.
The stability of the house as an intimate space, a place of family history, contrasts with the flexible and temporary nature of the buildings. The house becomes a disposable product.